Fashion Deal
I don’t wanna come off like one of those gay dudes Chris Rock was talking about, one of those dudes that watch the Oscars for the fashion, because I watch the Oscars for the fashion, or the lack of it. I love checking out chicks trying to gain respect by coming out in pulging necklines and open backs to the buttocks. I love cleavage. I like see-thru fabrics. I love long slits up to the hip bone. I like tall skinny heels. And I love jiggling. Here’s hoping for an earthquake.
To sound even more gay, I hate to see wrestlers wearing shorts when they should be wearing tights. Did you see that foul stinch they call Chris Masters, the Masterpiece, in his white booties, showing off his grotesque physique. That was one of the crappiest unveilings in wrestling history. And what made it even worse is that he came out in shorts, and he doesn’t look right in shorts. What we know about wrestling is that it’s all about the look.
Look at Kane. He has a great opening theme, his look is just right in the black and red tights. He comes out, does his routine, which usually sucks, then he chokeslams a brother, does that shit in the middle of the ring, and fire comes out of the ring post. That’s why Kane still has a job. He looks good in the ring. Compare that to Snitsky in his goofy black shorts and tall black boots. Or Tyson Tomko. Or even Luther Reigns. Some guys look decent in shorts, and some need to cover their goofy white legs up.
By the way, I got my images back. And I am happy. Even though in just one day, you bastards have sucked already at least 300 mbs of bandwidth out of my shit looking at half-naked ass and titties. And that has got to stop. I may have to move that shit. Perverts!
Finally, the Massacre has leaked. And it’s pretty bad. Too fuckin’ long. And half of the production is this fake, cold, keyboard shit. One of the biggest surprises is that two of the tracks on this shit just completely suck, and they’re by Dre, who I usually like. Of course, Eminem chimes in with some more horrendous production. The soul tracks work better than the keyboard shit. And 50 ain’t really talking about anything new throughout the whole fuckin’ album.
I was actually looking forward to this shit. I thought it wouldn’t be halfway bad. My expectations weren’t really all that high. And this shit didn’t even reach that level. I guess this proves that top acts on big labels can’t really come through for their public anymore. Rather its rock dudes like U2 and REM, or rap guys like Nas and 50, the art of putting out a decent album that surpasses the hype is long gone. No dude on a major label will ever release a classic ever again. I guess it’s a lost art.
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